Happy Surrealist Saturday!
After spending the last few weeks exploring the dream worlds of artists, and after reading a post about what I’m going to explore in the lines below, I decided to focus my attention on one of the most legendary events not just in the world of Surrealism but in history itself: The Rothschild Surrealist Ball
The well-known yet controversial event took place on December 12, 1972, at the Château de Ferrières near Paris, hosted by Marie-Hélène de Rothschild. The invitation itself was already surreal as it was printed backward, readable only in a mirror (a direct reference to Lewis Carroll’s “Through the Looking-Glass”). Guests arrived at the château under amber light, which made the entire building look as if it were softly burning
The decor featured shattered mirrors on tables, mannequins sitting among guests, taxidermy animals peering from corners, waiters dressed as cats, and dishes dyed in impossible colors. The table centerpieces were doll heads and crystal sculptures, with some guests even saying that it felt like dining inside a Dali painting, and in a way, it really was
Salvador Dali himself was there, wrapped in a silver cape and holding a walking stick topped with a crystal skull. Audrey Hepburn appeared in a delicate birdcage mask by Givenchy. Baron Alexis de Redé, co-host and curator of much of the decor, wore a stag’s head dripping with diamond tears which was an image that later became one of the most haunting photographs of the night
Other guests included Princess Grace of Monaco, the Duke and Duchess of Windsor, Jacqueline de Ribes, and many of Paris’s avant-garde designers and patrons. Fashion houses like Schiaparelli, Givenchy, and Dior worked on the costumes. It was a beautiful marriage of haute couture and the Surrealist world (The dress code was black tie, long dresses, and surrealist heads)
What I loved most about this event was its symbolism. The original Surrealists of the 1920s painted dreams to challenge bourgeois comfort, and at this ball, 50 years later, the bourgeoisie were dressing as the dream itself. What started as a protest had now turned into performance
The photographs from that night (particularly those by Cecil Beaton) inspired endless speculation and even conspiracy theories, fueled mostly by the Rothschild name and the imagery of masks, antlers, and firelight
Marie-Hélène de Rothschild once said that the aim was to make “the impossible possible, just for one night.” And the more I think about her words, the more I wonder whether this wasn’t what the movement of Surrealism always wanted to achieve
The Rothschild Surrealist Ball is, to me, one of the greatest events ever as it was a night where art, fashion, and illusion all dined together🌹